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[In a tumultuous world, science fiction and horror series are a spin on current events.] It's obviously in the zeitgeist, ... You're telling allegorical tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.

Me and my team got it down to science, ... I just go in and do it. My job is to make beats and make something hot. When I go in, I catch a vibe. If the beat feels like it don't make you move right, I scrap that and go to another track. Sometimes it takes 10 minutes, sometimes it takes an hour to get one done. I just keep spitting them out. I got all these artists, and we gotta get these albums out. If I don't do beats, we don't put no damn albums out. That's my motivation right there.

People don't understand science. But they do understand the Bible and so they are comfortable with a biblical response, ... Certainly, there is a lack of understanding about what intelligent design really is.

Not only were the platforms in the science fiction movies user-aware, they were self-aware, and that notion of self aware added to the excitement of those motion pictures and added a bit of trouble. In the end, HAL turned out to be too human like that was the fatal flaw. The concept of self awareness can be a bit dangerous. This notion of turning against the user is fundamental to the plot line, but it doesn't have to be that way.

Opponents on both sides want the debate to be about science, ... mainly because of the apparent legitimacy science carries as compared to debating actual values, which these debates are about anyway.